The next phase in these conversations is usually to argue back and forth about whether energy storage is going to be good enough soon, or never will be, or already is. You're naive if you think your storage solution can handle the massive reserves required, unless you're not naive for technical reasons. Don't ask me, this part is always inconclusive.
> You're naive if you think your storage solution can handle the massive reserves required
The Scandinavian grid which Denmark is part of has 120 TWh of storage capacity (hydro in Norway and Sweden) which is literally 4 months of electricity consumption.
This thread was about Denmark, but obviously the solution will be different everywhere. Some places have suitable geography, others have more sun and milder winters where overbuild+batteries are easier, some have existing Nuclear that can be kept running affordably, maybe you even have politically stable neighbors where a HVDC grid can smooth out differences in weather, there are no generic answers.
I've never been able to decide whether it is or not. I'm still vaguely scared of the clathrate gun, permafrost releasing extra CO2, and phytoplankton shrinking under ocean acidification so we can't have as much oxygen as we're accustomed to.
Edit: one of those crossfire situations where the downvotes could be coming from either direction. I'm going to assume they mean "don't be scared".
I don't know who downvoted you, people treat this topic with religious zeal. Yes, basically all the arguments trying to claim that the influence of CO2 has positive feedbacks relies on cascades of things amplifying warming.
And that's certainly something to discuss, whether there exists a type of rube goldberg machine where higher levels of CO2 cause the permafrost to melt which cause even higher levels of CO2 which cause something else to release even more CO2, etc.
I certainly wont deny that such a sequence of events is possible, and it's worth studying. But on the other side of that you have basic physics, which shows that the warming effects go with the log of CO2. That really slows things down by quite a bit. It turns a doubling into an additive factor.
Now, could it be that the cascade of events is such that it overcomes the logarithm? E.g. that it is an exponential or super-exponential chain of events that would release exponentially more CO2. Uhh, maybe, but this is not something to try to terrify the population with. And it sounds extremely unlikely. So you need an extremely precarious set of assumptions -- or just deny physics outright -- to overcome Arrhenius' Greenhouse rule. Logarithms cover a multitude of growth sins.
which balance? orban was a parasite, trying to embezzle as much money from the EU without getting the boot (hungary as the biggest per-head receiver of EU funds), while probably also getting paid by russia - a hostile actor - for his actions (i.e. sabotaging the union and sowing dissent through propaganda). there was no balance there.
I don't know, I have some sympathy. Conceptual art is kind of meh. Travel is pointless, everywhere is the same, you can read about places and stay home, everything is unnecessary. Except I'm probably wrong.
I get than seeing someone is different than it being explained to you, but not by much. "Picture 4 big stones with a metal mesh covering parts of them so... blah blah.". I can picture it if you explain it in detail. You can even make a drawing in a couple of minutes and I'll get it. Why go to the trouble of hiring people to move the actual stones and so on?
For traveling it's very similar. I've seen some monuments in pictures first and in real life later. When I see them IRL, it's just... meh. Maybe I've been desensitized to giant structures or to how much detailed a sculpture can be, but even if I realize I have been, the "damage" is done. I can't be in awe of something someone 300 years would find awesome. I can just think "Why did I waste X hours to see this in person?".
That's why I don't really travel anymore. I can get so much information about architecture or statues or nature from photos and videos that seeing the real thing would almost surely be a disappointment. Both the pictures and videos and the real things involve sight and maybe hearing. It's not like I'm reading about a recipe but not being able to taste the real thing.
My exposure to AI music so far has been when I went to the local Japanese takeout to get udon. They had a big Midjourney-looking generated picture of Mount Fuji on the wall, with a cherry tree in front, and falling cherry blossom. It was full of completely unrewarding details that it was pointless to focus on, and the music they were playing was similar: endless soft love songs where each one was almost, but not quite, different from the one before, with lyrics about depending on someone and liking hugs.
This was actually preferable to genuine pop music, because it didn't demand much of my attention, and was closer to silence, which would have been perfection. But it wasn't communicating anything. Communicating is an imposition, and a risk.
I think in 90% of the galleries I've been in the I'm expecting the art to be communicating something so I'm inferring intent or making my own, but by itself art is a poor communication medium imo. So much so we often say it's about whatever YOU perceive from it. Obviously artists set out to invoke --something-- and we accept that and at least some of us try to think on it, but the person perceiving the art is really doing a lot of work to fill in the gaps. Expectations here are aligned.
Most art in stores is just filling space on a wall to bring things together visually. I don't know that anyone cares about it communicating anything other than "the space looks less empty and more appealing for the customer". I don't think the average store owner is thinking any harder than that on it. I guess my point being we're mostly subjected to it based on the perspective we will like it and its cheap.
I think my point is, that the expectation of the people placing the thing for us to view/listen to and our own can be mismatched. I've always viewed the shitty pop in department stores as an imposition on my ears and I've never spared a thought for most wall art in a random cafe, but I imagine the owners are hoping to get something out of it from us. Whether thats satisfaction or manipulating us to spend idk.
I can understand how generic AI slop or even random notes can be better than shitty pop music. If you don't expect it to rival your favorite artists, you won't be disappointed. If you've led to believe you'll listen to a masterpiece and it turns out to be slop or random notes, you'd be disappointed.
Right, but being annoyed by things is subtle, like a dripping sink or a fly in the room. It isn't doing any harm ... unless you really work on arguing for how the plumbing is slowly corroding or the fly is spreading disease ... but it's annoying because it's present, and you didn't plan on it being present. Why is the AI music here, growing in places unbidden, like fungus? That feeling of being exploited, and unable to stop it, can make an intrinsically inoffensive thing into an annoyance.
I get that. I just haven't really been exposed to AI music unless I wanted to be exposed to it, so it doesn't annoy me. I've read about how Spotify and similar services are full of AI music and how it's hard to sift through the slop, but I haven't used such services and mostly rely on (hopefully) human recommendations for what to listen to, so I've only found AI music when I've specifically searched for it. Kind of like if I wanted to study flies and went out of my way to find flies but if flies never came to my home unexpected or uninvited.
What is "pure music"? Who listens to music with no ideas about it?
Of course music can be worse than random: it can be annoying.
I get a downvote, huh? Look, I like Ornette Coleman. I like Nurse With Wound and Merzbow and avant-garde noise. I do not like 21st century pop. If I have to have music played to me against my will, I would way prefer it to be random notes than if it presented a slimy modern personality, or used a tone of voice to sing at me with, or conveyed vapid little bad ideas in its lyrics.
Uh-huh. It brings clarity to say you'd be happy to have the wealth destroyed. These are two different concepts, and the second one (about redistribution) always muddles these conversations.
1. Billionaires shouldn't wield lots of wealth, because it's scary.
Sticking to that concept makes the discussion a lot clearer. Never mind concept 2, it's haunted by the futile spirit of Marx and he's throwing crockery around.
Personally I am a fan of logistical taxation, where the mean income (including capital gains) pays 50% in tax and every standard deviation σ above (or below) pays extra (or less) according to 1 / (1 + e^-σ).
What will happen with this taxation is that if everybody makes the same income, then everybody pays 50% in tax. If some rich dude is making a lot more money then everybody else, they will lower the tax for everybody else while paying a lot more them selves. At some point (say 3 standard deviations above the mean) you end up getting less after taxes then had your income been lower (say 2 SD above), in other words, the limit is 100% tax for extremely high incomes (and 0% for extremely low incomes). That is, I favor a system that has maximum income, and you are actively punished for making more.
Suppose it's 1999, and I'm planning to expand my online bookstore into a worldwide network of distribution centers and logistics, that can deliver anything at all to anybody, very quickly, though a unified web interface. How can I carry out this major business enterprise without getting very poor?
I guess the board would have to vote to keep my income at the optimum level, or just below, to prevent me from jumping ship to run a competing company that offers to pay less.
I would rather you did not do that. You would create a shit tone more global transfer of goods accelerating global warming, and make societies dependant on unsustainable dirt cheap production practices.
Even if yourself could argue that you’ve done a good thing overall, I’d rather not take your word on that and would rather not have you decide something so extremely impactful.
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