I'll do you one more and say "non-Chinese languages". Written Japanese - including the kanji portion of the script - has the same characteristic.
And even in Chinese it's a fairly weak relationship. A large portion of the meanings of individual characters come from sound loan. For example the 英 in 英雄 means "hero", in 英语 means "England", an in 精英 means "flower". The relationship there is simple homophony.
On the other hand, one thing you do get with written Chinese is that "1 character = 1 morpheme" very nearly works. So mechanistically breaking a text into a sequence of morphemes can be done pretty reliably without the aid of a semantic model or exhaustive hard-coded mapping. I think that for many other languages you can't even get close using only syntactic analysis.
> I'll do you one more and say "non-Chinese languages". Written Japanese - including the kanji portion of the script - has the same characteristic.
Written Japanese is much more ideographic than written Chinese. Japanese spelling is determined, such as it is, by semantics. Chinese spelling is determined by sound. Thus, 女的, 娘们, and 妮子, all meaning 'girl' or 'woman', have no spelling in common because they are different words, while Japanese uses 女 for "jo" and "onna" despite a total lack of any relationship between those words.
And even in Chinese it's a fairly weak relationship. A large portion of the meanings of individual characters come from sound loan. For example the 英 in 英雄 means "hero", in 英语 means "England", an in 精英 means "flower". The relationship there is simple homophony.
On the other hand, one thing you do get with written Chinese is that "1 character = 1 morpheme" very nearly works. So mechanistically breaking a text into a sequence of morphemes can be done pretty reliably without the aid of a semantic model or exhaustive hard-coded mapping. I think that for many other languages you can't even get close using only syntactic analysis.